THAT HAS ALL CHANGED.
Final Cut Pro X is completely rebuilt. Say hello to a 64 bit editing platform from Apple. So let’s break it down. Here are some of the biggest highlights in the new Final Cut Pro X:
- 64 bit
- Edit 4K footage natively (without conversion)
- Edit H264 footage (DSLR) natively (without conversion)
- Face recognition (time will tell how this will help with the post process, but color grading is an immediate thought)
- All new color management process (ColorSync)
- Auto-image stabilization on import
- Automatic rolling shutter fix (huge for DSLR footage)
- Automatic rendering - in the background
- Advanced audio editing tools, effects and transitions (think of it as a miniature Soundtrack Pro being directly integrated into FCPX)
- Add keywords to clip timecodes, searchable within your content database (if you’ve ever edited a long project, you know how helpful this can be)
- Transitions, finally, will stay joined to your clips when you move them around
- Content analysis and automatic grouping of similar shots
- Automatic audio syncing with multiple tracks (sorry, Singular Software, but Pluraleyes just became obsolete for FCPX users)
- Automatic color matching between clips
- Magnetic Timeline (this is a little ambiguous for now, but suffice it to say that the FCP developers have put a lot of energy into simplifying the timeline assembly process, from auto-locking to auto-grouping clips)
- The traditional clip “Viewer” has been replaced with a new skimming feature. Be on the lookout for demonstration videos coming soon to the Apple website
- If you have BTS footage, you will now be able to create a second timeline, alongside your primary timeline, to track the BTS with your main content
- Advanced slow-motion editing and re-timing (goodbye, Twixtor?)
и, конечно же, самое любопытное - цена!
$299!!!
ждать осталось всего ничего - до июня
